With the series “Feelings Are Like Water,” John Millei deepens one of the central questions of his painterly oeuvre: how can inner states be made visible without fixing them—without narrating, explaining, or illustrating? In these works, the sea no longer appears as a landscape motif or an external realm of experience, but as a metaphorical structure: a visual analogue for emotional fluidity, psychological transitions, and temporal continuity. Here, water is not a subject in the classical sense, but a way of thinking. Feelings, as the title suggests, are like water: flowing, mutable, never fully controllable. They arise, condense, dissolve, and return in altered form. Millei translates these qualities into a painterly language that deliberately resists dramatic climax, instead foregrounding rhythm, repetition, and subtle variation.

Since the launch of Season 2 of the Paramount+ series “Landman,” Justin Bower’s painting “Blue Boy” has once again appeared prominently on screen—creating an impact that extends far beyond set decoration. The work does not function as a decorative backdrop, but as a visual counterpart that seems to inhabit the space: a portrait that meets the viewer’s gaze, generates tension, and subtly intensifies a scene—cool and precise, yet unexpectedly charged with emotion. This very ambivalence is what makes “Blue Boy” so compelling: a balance between intimacy and distance, between human presence and an identity that feels almost digital—like a mirror of our time. The painting does not remain in the background; it stays with you.

If you are interested in acquiring a work by Justin Bower or would like to learn more about “Blue Boy,” please feel free to contact us. Upon request, we are happy to share further information, context, and additional images.

With the new G-ALLERY app, we offer collectors a unique gateway into the world of contemporary art. The app allows you to experience works by our artists in the highest resolution and, through augmented reality, place them realistically on your own walls—a digital collection experience that unites innovation and elegance.

Most exclusive: within the app, collectors receive early access to new artworks before they are officially released to the market. This is complemented by internal information and curated insights available exclusively in the app.

The platform combines discreet access, personal collection management, and an innovative perspective on the future of the art market. The official launch is coming soon—a sneak peek with first impressions will follow in the coming weeks.

Summer is a time to slow down—even within the art world. Many galleries pause, art fairs take a seasonal break, and cities begin to empty out. At the same time, this period creates space for a more focused, personal encounter with art—away from the pressures of schedules and the intensity of the fair circuit. With the Summer Viewing Room 2025, G-ALLERY has created a curated summer exhibition dedicated to precisely this moment.

Our aim is to make high-quality contemporary art accessible online—within an atmosphere that allows for both lightness and depth. The viewing room presents selected works by international artists engaging with questions of identity, the body, structure, and perception.

In the work of Luxembourg conceptual artist Sali Muller, we encounter a continuation of the aesthetic approach that, in the 1960s, developed an entirely new artistic language on the American West Coast under the term “Light and Space.” This movement emerged within a singular cultural and technological climate: in Southern California—shaped by sunlight, expansive landscapes, new materials, and the spirit of the aerospace industry—a group of artists turned away from the narrative and gestural modes of expression that had defined previous decades.

Welcome to our annual Collector’s Weekend in Paris—an exclusive event for art lovers and collectors of contemporary art. In the heart of the charming Marais district, we will present a private exhibition of new works by Justin Bower and Sali Muller.

The exhibition is open by appointment only and is designed for a select audience seeking to experience art in an intimate setting.

Secure your time slot now and discover outstanding contemporary positions in the heart of Paris.

Beyond sunshine and surf culture, California’s expansive landscapes have long provided fertile ground for avant-garde art. Within this vibrant artistic context, John Millei’s work emerges as a compelling contribution to a tradition defined by experimentation and creative innovation.

Our 2025 catalogue is now available in both digital and print editions. It features, among others, the artists Sali Muller, Justin Bower, and John Millei.

The digital catalogue is accessible directly via our website. To request a printed copy, please contact us by email at art@g-allery.com.

After a fascinating few days at this year’s Frieze London and the outstanding exhibition “Francis Bacon: Human Presence” at the National Portrait Gallery, it is time to share our Frieze London ’24 Art Report with you. In this report, we highlight the trends emerging across different art movements, introduce the young artists who made a name for themselves at the fair, and discuss the artists whose absence was particularly striking.

In unserem Report gehen wir der Frage nach, welche Trends in den verschiedenen Kunstrichtungen zu finden waren; welche jungen Künstler*innen sich auf der Messe etabliert und welche Künstler*innen wir auf der Messe vermisst haben. Wir benennen präsente Stilrichtungen und Strömungen, die sich auf dem aktuellen Kunstmarkt herauskristallisiert haben und fanden ein paar Wiederentdeckungen, die uns selbst überraschten.

The exhibition “24! – Questions to the Concrete Present” explores how the broad, multifaceted concept of “Concrete Art” can still inspire and move us today. The works on view span painting and installation through to interactive digital sculptures, including augmented reality (AR).

The integration of art into the home environment has been shown to have a significant impact on individual well-being. Research in the psychology of aesthetics emphasises that visual stimuli and aesthetic experiences are directly connected to emotional and cognitive processes. In this context, the presence of artworks in one’s own living space can offer a range of positive effects.

In der kommenden Ausstellung "Justin Bower: Capturing The Digital Identity“ präsentiert der renommierte US-amerikanische Künstler Justin Bower eine innovative Verschmelzung von traditioneller Malerei und zeitgenössischer Auseinandersetzung mit der digitalen Sphäre.

With Frieze London and Paris+ par Art Basel—held in close succession over the past two weeks—in mind, three current trends and rediscoveries within the art market have become clearly apparent.

In the exhibition “A Collector’s Choice,” we bring together the outstanding holdings of the Curth Collection with new works by the acclaimed artists Sali Muller and Justin Bower—presented within the unique atmosphere of the collection’s private rooms.

Justin Bower states that his primary aim as an artist is to “make images that resonate today and which could only be made in this era.” His art is undeniably contemporary, yet it is also grounded in the ancient notion of the sacred. One way to understand this connection is to step back a thousand years and consider how the depiction of holy presences in religious art can be seen as a foundation for Bower’s exploration of the contemporary body within the context of today’s omnipresent technology.

Sali Muller ist eine zeitgenössische Konzeptkünstlerin, die durch Ihre multimedialen Werke bekannt geworden ist. Sie nutzt Kombinationen verschiederner Materialien wie Spiegel, Glas, Metall und Neonlichter, um komplexe Konzepte wie Identität, Selbstbild und Beziehungen zwischen Individuum und Gesellschaft zu erforschen. Ihre Werke wurden in renommierten Galerien und Museen in Europa, den USA und Asien ausgestellt.

This weekend marked the 31st anniversary of Francis Bacon’s death—reason enough for us to take a closer look at this exceptional artist and his influence on contemporary art. Francis Bacon (1909–1992) is regarded as one of the most significant figurative painters, whose works hold a major place in the art history of the 20th century.

Discover the works of Polish painter and sculptor Igor Dobrowolski (*1987, Jelenia Góra). Known for his monumental silver and metal reliefs, the artist now focuses in his new works on sculpture in three-dimensional space, expanding and complementing his artistic practice.

Historically, private collections have been less diverse with regard to the gender of artists and, across all regions and demographic groups, tended to be dominated by works by male artists (an average of 60%). As noted in earlier reports by Art Basel and UBS, this does not necessarily mean that collectors were biased in their selections; rather, they report that, when choosing which works to acquire, they were not influenced by either the background or the gender of the artists exhibited.